Adam Levine manages to make messy sexy and is seen rubbing his hands, full of paint naturally, over the body of a female model.

The song, co-written by Levine, Nathaniel Motte of 3OH!3, Ryan Tedder of OneRepublic and producer Noel Zancanella (Demi Lovato, B.o.B.) is the fourth single off the band’s 2012 Overexposed LP.

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The unrated version of “Blurred Lines,” which Thicke premiered April, features several women sans clothing. YouTube quickly banned the naked clip, but not before it racked up more than one million hits.

“We just had a great feeling about the song,” Thicke told Carson Daly. “I made it last summer. I mean, I had it for about eight or nine months and Jimmy Iovine liked it, but nobody was really jumping all around the place for it.”

“And then we shot the video and Jimmy called me seven seconds into the video and he said, ‘This is a smash! This video is amazing!’”

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According to Billboard, the university announced on Monday that Streisand would receive the degree for her “concern for human rights and dedication to Israel and the Jewish people.”

The Brooklyn-born singer and actress is expected to perform during a June conference celebrating the 90th birthday of Israeli President Shimon Peres.

Streisand will also hold two concerts in Israel on June 20 and 22 at Bloomfield Stadium in Tel Aviv-Jaffa. Those performances will be Streisand’s first in Israel.

Numerous other artists have also made the trip to Israel, including Bob Dylan in June 2011 (his first appearance in Israel in 20 years) and Paul McCartney in September 2008. Billy Joel made Israel a destination for three concerts during his Glass Houses tour in 1980, playing one show in Jerusalem and two in Tel Aviv. Madonna performed in Tel Aviv in May of 2012 with a message of promoting peace.

Possibly the most outspoken artist to boycott performances in Israel comes from Pink Floyd’s Roger Waters, whose 2006 visit to the West Bank turned him into a huge supporter of the cultural boycott of Israel. Waters even took credit for Stevie Wonder‘s cancellation of an appearance in Israel.

In the last month though, Waters has talked of reconsidering his position on Israel after fellow members of the music industry spoke out about his views.

-E.J. Judge/WCBS-FM

“Right now, after giving birth, I really understand the power of my body,” she explained to the mag. “I just feel my body means something completely different. I feel a lot more confident about it. Even being heavier, thinner, whatever. I feel a lot more like a woman. More feminine, more sensual. And no shame.”

With help from a heavy tribal beat, Beyoncé’s latest song, “Grown Woman,” which leaked last night (May 20), touches on the power of femininity. Whether single, married or somewhere in between, this Timbaland-produced ladies anthem is seemingly meant to get every woman up on her feet singing, “I’m a grown woman/I can do whatever I want.” Let’s consider it the sequel to “Run The World (Girls).”

Mrs. Carter has always been a powerful figure in music, but on her latest song there is a new (and different) sense of confidence here. She starts off the track by letting people know she’s been working at this since she was a little kid and she’s no one-trick pony: “Told the world I’m gonna paint this town/ Now b****** I run this.”

On the track, a snippet of which debuted in Bey’s recent Pepsi ad, she continuously touts her power. She sings, “They love the way I walk/Cause I walk with a vengeance/And they listen to me when I talk/Cause I ain’t pretending.” She ends it all by explaining that it took some time for her to get this ego boost and she’s not giving up on it anytime soon. It’s almost as if she’s letting all the ladies know, “If I can do it, so can you.”

When she delivers lines like, “I can be bad if I want/I can say what I want/I can live fast if I want/I can go slow all night long,” it’s clear she’s not apologizing for anything anymore.

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J.Lo and Pitbull, two of the biggest Latin stars working in the mainstream pop world, are far from strangers. Their first collaboration came about during Lopez’s 2009 promotional single “Fresh Out the Oven.” Drawing attention to her upcoming seventh album, which would come to be 2011′s Love?, the track was written by Amanda Ghost, Lopez, Pitbull and Pharell Williams. The track charted at No. 1 on Billboard’s Hot Dance Club Songs chart and thus began the duo’s working relationship.

Next up was 2011′s catchy “On the Floor,” which topped more than 18 singles charts and became the most successful single of Lopez’s career. The next year followed with the sexy “Dance Again.” Then-judge Lopez performed the track on American Idol, at which point her racy grinding had some questioning its presence on the family-friendly show. Perhaps taking this criticism to heart, J.Lo toned down her set when performed “Live It Up” last week on the season finale of American Idol.

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At the Billboard Music Awards on Sunday night (May 19) Cyrus announced that her new single, “We Can’t Stop,” drops on June 3. She isn’t giving much away about the sound of her latest song–produced by Mike Will, who has worked with Rihanna, Kanye West, Lil Wayne and Kelly Rowland–but she did tell E! News that she’s been done with the song for “about a year.”

“I’ve had to keep my lips sealed and just not saying anything,” she explained. “So you’ll see.”

Cyrus did however reveal that the song is dedicated to her fans, the people who have never stopped believing in her.

“I feel like this song really is for them and how I feel—that I can’t stop and I’m going to be who I am and they should be who they are and that they can’t stop and no one can stop us,” she said.

Adding, “It really is an inspiring song for my fans. We don’t care, we can do what we want.”

Cyrus later tweeted the single’s album art: a black and white photo of her in a a risqué deep-V bathing suit that shows off her wild side and a whole lot of cleavage.

Thank you guys so much for tonight! CAN’T WAIT TILL JUNE 3rd ❤💋💣 twitter.com/MileyCyrus/sta…

— Miley Ray Cyrus (@MileyCyrus) May 20, 2013

Rumors are also swirling that Cyrus is recording with Justin Bieber after she was spotted leaving the singer’s studio last week. But she’s staying mum about that too.

“I know pictures are flying around,” she told E!. “You guys will have to wait and see. I’m the biggest at top secrets.”

No official release date has been announced for her upcoming record–her first since 2010’s Can’t Be Tamed.

The telecast featured a number of performance mixed in with various awards for the past year. Taylor Swift was a big winner, scoring eight awards including the night’s highest honor, Artist of the Year, as well as accolades for Top Female Artist, Top Billboard 200 Artist and Top Country Artist.

Gotye, for major hit “Somebody I Used to Know,” and Rihanna were other major winners, the latter winning in the major R&B categories.

But the talk of the night ended up being Miguel’s performance of “Adorn.” Throughout much of the song, the R&B singer performed behind a screen that allowed images and words to be projected upon it, giving the performance an astral, otherworldly feel. Once the screen was lifted, Miguel trounced to the front of the stage, twirling and whirling before deciding to leap from one part of the stage to another outcrop, which involved traversing over a group of attendees.

But as Oregon Trail has shown us time and time again, you’re not to the end until you’ve hit the shoreline, and the singer just missed getting his whole body onto the stage, landing partly on two females in the audience, injuring one who reportedly walked away with minimal injuries.

i cant stop watching this vine.co/v/b9q1DJrUFMa

— dıpןo (@diplo) May 20, 2013

Miguel wasn’t the only one who had a rough evening. Justin Bieber, who went the edgy route with his performance and leather attire, was honored as the Top Male Artist and scored the Milestone Artist award, a fan-voted accolade. But during his acceptance speech, Bieber took to some of his detractors.

Read more about Justin Bieber’s night on Radio.com

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